cold irons bound造句
例句與造句
- Since its composition, " Cold Irons Bound " has been a regular in Dylan's live setlists.
- "Cold Irons Bound, " in particular, reveals itself as a blues rocker with real muscle.
- "Cold Irons Bound, " a track from the disc, got the Best Male Rock Performance nod.
- It repeatedly stripped down " Cold Irons Bound " to its blues beat, then let layers of guitar coalesce and dissolve.
- In the song " Cold Irons Bound " is this nugget : " I'm beginning to hear voices and there's no end ."
- It's difficult to find cold irons bound in a sentence. 用cold irons bound造句挺難的
- "Time Out of Mind " was also named best contemporary folk album, and Dylan was named best male rock vocalist for " Cold Irons Bound ."
- Male rock performance : In a battle of boomers, Bob Dylan takes home honors for " Cold Irons Bound " from his latest album, besting tracks by Bruce Springsteen, Bowie, John Fogerty, and John Mellencamp.
- Searing performances of songs like " Drifter's Escape " ( which is mysteriously absent from the soundtrack album ) and " Cold Irons Bound " by Dylan and his band share the soundtrack with various unlikely versions of Dylan songs, including a turntable-scratching Italian remake of " Like a Rolling Stone ."
- Music from Dylan's entire career is presented in the movie, though his then recent album " Time Out Of Mind " receives considerable play, with " Dirt Road Blues " and " Not Dark Yet " both used as background in scenes; Dylan also plays a new arrangement of " Cold Irons Bound " in the film's climax.
- The following songs were featured in the film, with unedited versions included in the soundtrack release : " Down In The Flood " ( a song from " The Basement Tapes " ), " Dixie " ( traditional ), " Diamond Joe " ( traditional ), and " Cold Irons Bound " ( a song from " Time Out Of Mind " ).
- The purposely unpolished music _ clattering rockabilly drums and ricocheting guitars in " Cold Irons Bound, " loping blues with raw guitar jabs in "'Til I Fell in Love With You, " slinky electric piano over a reggae backbeat in " Love Sick, " tentative gospel in " Tryin'to Get to Heaven " _ has a haunted, precarious tone that connects it to the most harrowing depths of the blues.
- A couple of times, I wasn't sure if Dylan was playing a new song or reinterpreting a lesser-known older one, but it didn't matter because he just rocked on all the songs, whether it was " Cold Irons Bound " from his Grammy-winning new album " Time Out of Mind " or " Rainy Day Women 12 & 35 " from " Blonde on Blonde " or " Highway 61 " from the same-titled album.